The richness of the male voices remained admirably flexible... emotion was present throughout.
The World of Robin and Marion
Le Devoir, 2002
A musical and literary experience, typical of the Middle Ages, its authenticity mingled with fabulous inventiveness.
Le Mytère de lÉtoile
Le Devoir, 2001
The art of Guillaume de Machaut surely lives on through Ensemble Anonymus, which becomes an authentic mouthpiece for his inspiration and ptry.
Guillaume de Machaut
La Presse, 2000
What one has to admire is the quartets absolute mastery of their instruments (each plays several), their ability to play and sing so ravishingly, all from memory, and above all their insightful revival and illumination of a precious repertoire.
Musica Mundi
The Halifax Herald, 1999
The groups attention to authentic detail is evident in their style of playing (...) and perhaps more strikingly in their vocalization...
Musica Mundi
The Telegram, St-Johns Nfld, 1999
In short, the concert (
) was an education, a revelation, and an intriguing musical voyage back in time
La Rue des Jugleors
The Shelter Island Reporter, 1996
three joyful, spirited recordings, glowing with the colours of the outdoors
Rue des Jugleors (5 diapasons), Llibre Vermell, A la Via!
Revue Diapason, 1996
the arguments put forward to support the itinerary of the Llibre Vermeil, (
) make this a serious contender for the prize of best recorded version
Llibre Vermell (5 diapasons)
Revue Diapason, 1996
Among delights, readers should look for Llibre Vermell, an enchanting collection of lively Catalonian pilgrim songs and dances of 14th Century Spain.
Llibre Vermell (CD)
Magazine In Tune, 1995
This new performance then, by Québecs Ensemble Anonymus, gets a welcome, though a seriously qualified one
Llibre Vermell (CD)
Continuo, New-York, 1995
Without a doubt, this triple concert is a wonderful demonstration of flexibility.
La Rue des Jugleors
Le Soleil, Québec, 1994
Its five members gave a fascinating recital (
) In the troubadour song Souvent soupire, for example, the emotional impact was heightened by making the instrumental accompaniment increasingly rich with each verse.
La Rue des Jugleors
Ottawa Citizen, 1994
In perfect control of their voices, instruments and gestures, the musician-singers go through a slow, dignified
choreography centred on Music.
O Fortuna
Le Soleil, Québec, 1993
The vocal performers produced an aura of purity and extraordinary refinement.
Noël, Paris, Notre-Dame
The Gazette, Montréal, 1992
What was admirable about the Ensemble Anonymus was its evident devotion to the music
O Fortuna
The Toronto Star, 1992
One of the best music groups to appear during the 17th Cervantino international festival.
El Siglo de Oro
El Nacional, Mexico, 1989
This was a historic performance of Li Jus de Robin et Marion, a perfect fusion of text, music, gesture and staging
Li Jus de Robin et Marion
La Presse, Montréal, 1986
Anonymus performances are lively and brilliant
Li Jus de Robin et Marion
New York Times, 1986